Musicological research can prove an unparalleled stimulus for bringing ideas to performance. But I have long been aware that performance can just as easily feed back to musicological thinking. And this is not all. Very often these synergies reveal no clear unidirectional trajectory. I experience this fertile collision with growing interest, in particular because of its potential to reshape our historiographic, stylistic, and professional categories. With this in mind, in November, 2018, I launched this new personal project, designed for a two-year period: concerts, talks, and other initiatives, some addressed to an academic environment, others to general audiences, the common thread being my yearning to offer alternative ways to perform the classical-music repertoire from a starting point of unconventional musicology-based approaches.
Lectures at the piano
- Eine Waldstein FantasieMy inVERSIONS of Beethoven’s Sonatas Op. 53 and 27#2 (recording scheduled for: July 2020)
- Hélène de Nervo de Montgeroult: Rebel woman, offbeat artistAn informed experimental performance of a choice of Montgeroult Etudes (recording scheduled for: July 2020)
- Open WorksAn experimental 360º recording of my inVERSIONS of works by Wolfgang Amadeus Mozart, Enric Granados, Ludwig van Beethoven, and Fryderyk Chopin (recording scheduled for: September 2020)
- Rethinking the EmperorAn informed experimental performance of Beethoven’s Concerto Op. 73 (recording scheduled for: March 2021)
Musician, musicologist, educator